Images shot for The Turner Contemporary Café on the 13th April 2014.

Images shot at the Sounds Like Art choir rehearsal on the 10th April 2014.

My boy Noah doing his best impression of Luke Skywalker.

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/9
  3. Exposure: 1/160th
  4. Focal Length: 190mm

NIghtmare! I was commissioned to do another job at The Turner Contemporary in Margate and one of my CF cards failed. Sent it away for repair but found out the controller was damaged beyond repair. 200 images down the drain. Thankfully I was using two cards and managed to salvage half the job. So gutted but am very grateful that the lovely lady who booked me was so understanding. 

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/3.5
  3. Exposure: 1/640th
  4. Focal Length: 100mm

Loveable local rogue Andy Capon taken from our shoot last year.

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/8
  3. Exposure: 1/125th
  4. Focal Length: 50mm
I’m very proud to have been asked to photograph my second album cover for The Quireboys. The new album celebrates the band’s 30th year in music and the voodoo theme follows on from last year’s ‘Beautiful Curse’.
On the 20th January I joined Spike, Griff, Paul and Keith at The Ecology Room Studios in Deal where they are currently recording. We were joined by their Manager, Jonni Davis (CEO of Chic Talent) who provided creative direction. The shoot went very well and had a very positive vibe. 
http://www.classicrockmagazine.com/news/the-quireboys-confirmed-anniversary-show-and-album/ I’m very proud to have been asked to photograph my second album cover for The Quireboys. The new album celebrates the band’s 30th year in music and the voodoo theme follows on from last year’s ‘Beautiful Curse’.
On the 20th January I joined Spike, Griff, Paul and Keith at The Ecology Room Studios in Deal where they are currently recording. We were joined by their Manager, Jonni Davis (CEO of Chic Talent) who provided creative direction. The shoot went very well and had a very positive vibe. 
http://www.classicrockmagazine.com/news/the-quireboys-confirmed-anniversary-show-and-album/

I’m very proud to have been asked to photograph my second album cover for The Quireboys. The new album celebrates the band’s 30th year in music and the voodoo theme follows on from last year’s ‘Beautiful Curse’.

On the 20th January I joined Spike, Griff, Paul and Keith at The Ecology Room Studios in Deal where they are currently recording. We were joined by their Manager, Jonni Davis (CEO of Chic Talent) who provided creative direction. The shoot went very well and had a very positive vibe. 

http://www.classicrockmagazine.com/news/the-quireboys-confirmed-anniversary-show-and-album/

I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history. I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history.

I had the pleasure of photographing a talk at The Turner Contemporary in Margate on Saturday the 25th January. Hosted by Writer, broadcaster and art historian Tim Marlow a panel of experts discussed artist Helen Frankenthaler’s work and painting techniques. Tim was joined by special guests Clifford Ross, chair of the Helen Frankenthaler Foundation, Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation, John Elderfield, Former Chief Curator of Painting and Sculpture at MoMA, and curator of the exhibition James Hamilton for an enthralling insight into the Abstract Expressionist’s impact on art history.

Always cool to see one of my pictures on a shirt. This time it’s Stormborn.

I took delivery of a skull last week to use on the new Quireboys Album Cover shoot on the 20th January. I’ve called him Nigel.

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/9
  3. Exposure: 1/125th
  4. Focal Length: 34mm

Ghosts of Canterbury

  1. Camera: Canon EOS 5D Mark II
  2. Aperture: f/22
  3. Exposure: 30"
  4. Focal Length: 45mm